nice price deal !!! melodies and words are in faccinis bones and his finely crafted songs resonate with traces of his ancestry. if his songs were maps they would stretch from the english moors to the saharan dunes via the parched plains of the mediterrannean before spanning the atlantic ocean all the way to the mississippi delta. for piers, recording albums means surrounding himself with old friends, people he can talk music with, true accomplices, fellow souls who share a common vision. a soulful and expressive singer/songwriter whose music fuses folk, acoustic blues, and west african textures, piers faccini was born in england to anglo-italian parents, and moved with his family to france when he was five years old.
includes cd-version of the full album.

it marks the long awaited reunion of electronic pioneers vince clarke (erasure/ yazoo/ depeche mode) and martin l. gore (depeche mode), who have joined forces for the first time in over thirty years to craft an album which, demonstrating their mutual love of electronic music. after initial tentative discussions, and a meeting at short circuit presents mute festival in london, where they both performed, these two influential musicians and songwriters, began work on the 10-track album, working in a typically unique way with the pair working alone in their respective studios, communication only via email, exchanging files until the albums was ready. the album includes the recent 12inch ep1 / spock, described by the quietus as one of the best tracks of 2011, plus the forthcoming ep 2 / single blip. the album was produced by vince clarke and martin l. gore and mixed by the influential californian electronic artist Überzone / q.
comes as double 12 inch in full artwork gatefold cover, including cd-version of this album.

autoreply offshoot stuga musik welcomes back apoena, who hails from porto alegre, capital of the rio grande do sul state in southern brazil. his first 12 inch for stuga musik - falando serio - was championed by the likes of baby ford, willie graff and jus-ed among others, the latter proceeding to release the self-titled apoena album on his own underground quality imprint earlier this year. as an accomplished musician of many instruments and nationally renowned reggae artist its no surprise he knows a thing or two about making a killer record. here he steps up with >mover<, a warm, hypnotic floor-workout that references the early pioneers and is equally suited to peak time or early morning play. on the flip >cooler< displays layer upon layer of colorful emotion whilst showcasing the artists love for vintage keys and analogue synthesis. enjoy!

an incredible u.s.a.-belgium collaboration between the dirtiest mc juan huevos and phranteek. all started when phranteek was sound engineering a juan live act. he just says >man? i guess you ll like to records some miami bass tracks?<. juan was like >of course!<. at the end of is tour, kick the lyrics on some phranteeks 808 beat. and the magic happened! phranteek says that mr. huevos is a studio beast… and we can feel it.
on b-side, daveluxes dubstep remix is incredibbly fat. we never thought releasing dubstep music, but this is not dubstep… this is deep schizophrene robot sounds highly doped on bootybass music!
winner of octaves de la musique award in 2011, dj elephant power remix sounds like a travel in a futuristic india. while listening to it, you can imagine some elephants in disguise dancing on ghettomusic!

after a break from releasing new material while he concentrated on developing the freerotation electronic music festival, mindtours label boss steevio is back with a 4 track ep of live improvised modular music. modular techno vol 1 is four tracks of raw, deep, jazz tinged, freeform, analogue minimal electronics, all sequencing and sound manipulation was jammed live on steevios modular synthesizer, without the use of a computer, or eq / compression / mastering or any other processing in a deliberate attempt to capture a live electronic music performance directly to vinyl.

the slat blinds in berlins panorama bar are part of the vjs equipment, and when the mood is right (usually around sunday afternoon),he opens them up to allow slices of sunshine to penetrate the smoky club air.it doesnt happen all too often,remaining something special amongst hours of darkness.but as ruede played the first version of shades in his last p-bar set, it seemed to happen just for him, as if he had written this tracks distinct break especially for this moment:everyone was mesmerized. re.you & rampa with a rmx for shades are also no strangers to such euphoria, and as ruede recently lent them his voice,they return the favor by building a robust, custom-made bass mobile for the a2.then, on the b-side, ruedes fellow band members from the noblettes make an appearance.as with shades,the focal point is also the big break,only this one has nothing to do with techno - its more of an indie-house ballad with dance ambition.

ltd white label promo edition... warm is a deeper, yet fierce, house cut, which was inspired on early rhythim is rhythim material. two essential 80s chicago tracks that thankfully see full release now. collect it now !!

striking out in june 2011 with his debut ep >in your gut like a knife< - a neat summary of his electronic excursions at that point - the beautifully artworked 12 inch acted as a portal into a world of daydreams, tumbling into shadows and embracing luminescence simultaneously. breeding surreal headphone-friendly landscapes, he struck a peculiar and delicate balance between otherworldly and familiarity, at times sneaking a sly glance towards the dancefloor but mostly conjuring a sense of longing and rye melancholy. ticking with a distinctive bounce and rhythm, it comes as no surprise that gang colours was raised on the bump and grind of uk garage. taking a step back from chopped n screwed rnb vocals and the swing of ukg, >the keychain collection< explores more sombre recesses within gang colours palette. the scattered technicolor synth melodies that characterised his ep are present, but softer, cosier even, weaving betwixt and between forthright piano chords and wills own vocals. >the keychain collection< eloquently captures gang colours first steps on a long road.

whilst some people claim that the number seven is lucky, some people, like duff, dont believe in luck, or if there is such a thing as luck you make your own. you cant rely on anyone else to hold your hand you know, you gotsta forge your own path, they arent called the mean streets for nothing. duff is the sort of man who not only makes his own luck (cos who else is gonna look after you?) but he keeps an eye on his bredren too. those in the neighbourhood feel safe because all is good in duffs hood, always has been, always will be, the police dont even come there, because they don’t have to, that block is on lock-down brother. though he isnt some type of machismo, over-the-top (hat back go-on sly) caricature, its just the way it is, nuthin to argue about. he has a way about him, the glare of a pitbull and the smile of don juan, dusty is his girl yep thats her real name, the name her mamma gave her on the day she was introduced to this world. the girl is fine thats for sure but what else would you expect from the honey that rides shotgun with the sonic casanova. she might call herself lucky. duff would disagree.

repress from one tune that was one the elegal electronics compilation, called efikass. burnfloor was on the gazole cd compilation and is pressed on vinyl for the first time. at least extasy problem is a new tune, very strong one.

the second edition of the mosso series adheres to its archetypal plan, as alejandro mosso leads us forwards on his musical trek and through the grooves carved onto this record. for this new number, alejandro mosso decided to delve back into his archives and take a closer listen to some forgotten, unfinished pieces. some listeners will surely recognise certain bits of this record as they were part of mossos live performance years ago. this is however the first time they will be edited and see the light of day. on the a-side, aconcagua is a festive theme on which a magnetic marimba riff turns into an escalating melody, surrounded by a forest of ascending percussions - characteristic of mossos production – lightly floating around it. cashmere, the flip, was conceived while airborne on a flying carpet, half way above the indian subcontinent and below the countles gleaming stars. perfect instance of alejandro mossos talent, it is a subtle blend of hovering winds and crystallized textures. the bansuri flute and the clave go hand in hand to form reassuring horizons, the soundtrack for a longer moment of hope, greater perspective and spiritual transformation.

2x12 inch repress version (ohne downloadcode und ohne 7 inch bonus)!! in der pampa weiß man nicht, was einen erwartet. bei >thora vukk< sind ein heller und ein dunkler fluss ineinander verwoben und so verschieden die beiden stränge auch sind, so notwendig sind sie füreinander. die düsteren, herausforderenden klangräume bringen die melodischen, clubbigen tracks zum strahlen. die feingliedrigen grooves kommunizieren mit jeder einzelnen muskelfaser. sie ziehen an den gliedmaßen wie an den fäden einer marionette. bezaubernd schöne strings eröffnen ein packendes oder doch ungreifbares popmoment. durch die ständigen variationen öffnen sich die fächer der grooves immer anders. im gegensatz zum ersten robag-wruhme-album sollte das neue gesetzter werden und mehr mit melodien und mit selbst aufgenommen samples arbeiten - ideal für das schlafzimmer und für >fahrgastzellen aller art<.

as we welcome the new year its time to kick it off in seasons fashion with a massive ep from our german brother and no other sole kitchen!
this is his 3rd installment for the seasons limited imprint over the last couple of years and could not be more excited to kick off 2012 with a brand new ep.
>the groove< track warms up the ears on the ep and sets you up for >inspiration to write< which also features some heavy hitters (jullian gomes, pablo fierro, scope & sydney young) on remix duties.
this record was designed to be play loud, music that makes you move!

this is the first vinyl release for standard fair. its excellent tech house! and its deep, at the same time!
standard fair was born in 1980 in sapporo, japan, and played the bass in a punk band until he was 20. he is very influenced by various genres of music but now he produces sophisticated deep house. after some excellent releases on resopal and little helpers he returns on joyfull with some great dance tracks.
ep includes 2 remixes produced by someone else (the philadelphia based dj and producer, co-founder of the tuning spork and fuzzy box record labels and owner of little helpers) and aldo cadiz (one of the leading producers of electronic underground in chile and one of the most respected djs in south america).

toby tobias has been honing his production skills since the mid nineties. by the time he released on rekids in 2006, tobys work was already of a high calibre - and hes now decided to share his unique sound with us. in his first full release for quintessentials, one night on mare street, toby blends his love for house and disco and shows again his true class. what counts for toby tobias counts for the remixers too: they have their own sound! enjoy the fab work of quintessentials homies deep space orchestra and ugly drums plus new hotshot weekend express. thank you!

andrew samoyed used to be such a nice young man. when he wasnt wearing lovely jumpers or impressing peoples mothers, he was toying with his synthetic pianos and computer chips to create ambient heartbreakers that could reduce your most unresponsive uncle to a snivelling mess. imagine everyones surprise then, when sometime after the release of his 2007 debut >always from this point<, without warning or reason, the famed samoyed eye-glint started to cloud over.

never ones to stand still dons rainbow marks a quantum leap for seahawks, the first release on new label ocean moon and the first recording from the invisible sunrise sessions. invisible sunrise is the forthcoming album from seahawks and the first to be recorded with live musicians rather than a hard drive full of dusty old samples. the results are stunningly original, not least on this track with new york head autre ne veut. anvs debut album last year on olde english spelling bee was an incredible rush of warped r&b, 80s synths, amazing songs and what has to be one of the most innovative voices to emerge in the last 5 years. since then hes released a great ep on hippos in tanks, played some mind bending live shows and guested on the ford & lopatin album. dons rainbow sounds like michael mcdonalds sweet freedom crossed with nite flight era walker brothers. a fantastic piece of hazy avant pop with jan hammer pulse wave synths, yah mo b there drums and fuzz drenched spirals of soprano sax and guitar colliding with the sound of soul from outer space. on the flip the dub takes the track into a world of shadows, where smeared washes of sound swim in an ocean of decay. as always with seahawks releases the packaging is beautiful. heavyweight vinyl in a full colour sleeve, with full colour labels. the last seahawks release sold out in days, we expect this one to do the same, so get your skates on!

ladies and gentlemen, dear audience, 2012 is the year of boxer. and it has already been 10 years since frank martiniq came up with >adriano<. for boxer, this was a fantastic kick-start into the international and national music world, and up to now, you can still enjoy its traces engraved on the asphalt. we would like to celebrate this little, yet significant event—on vinyl and of course with you! with streamers, confetti, and with four artists which are particularly dear to us: robag wruhme, von spar, lexy/shades of gray and le dust sucker. an alluring aperitif to start 2012.

gui borattos dark 2011 masterpiece >iii< was brimming with deft highlights, but not every one of them was aiming at the floor. showing his expertise in more than one style, the brazilian producer wove an intriguing web of beats and sounds that even surprised his most dedicated fans. >destination: education<, a slightly saturnine rhythm study featuring the return of guis wife luciana on vocals (who also sang on the classic >beautiful life< from debut album >chromophobia<), now gets pushed into the spotlight by dancefloor gurus terranova and tale of us, both tweaking the track to its optimal danceability. a must have for boratto zealots and crowd-sensitive djs alike, this 12 inch presents two heavy-duty bangers tailored to every partys needs.

this release is first new mule musiq. catalogue number was jumped up to 147 ... barnt is cologne based producer which is known as a member of magazine (artist&label). we really loved barnt 12 inch and magazine stuff on their label and very happy new barnt 12 inch is released on mule musiq. original on a side is like a dark house remix of goblin (italian progressive rock band). if you like dubby techno sound like echospace or redshape, you will into this track very easily. on b side, one of the best artist at the moment vakula made warm deep house remix. its not necessary bla bla ... about vakula sound. ambient version is lovely bonus track.

second release in the delsin x-dsr series containing re-issues of personal favourites. m.k.s the mkappella was originally a track on the b-side of the very original version of his huge burning ep on the area 10 label. the mkappella is some original innocent deep sunset house. other side contains the adventurous lost by the 7th plain aka luke slater, taken from his debut album the 4 cornered room way back from 1994, the high days of the uk techno scene, with lot of hints towards the original detroit sound.

i was finishing up a long extended set in paris when the cleckcleckboom crew practically ran into the club to get on the decks. i had hung out with them before but tonight they had all new tracks and an incredible energy. so i stayed past the last ravers just to hear what they would play and that was when i heard “hugz” by french fries and bamabounou. this was a new sound, some nasty nasty shit sitting somewhere between juke and bass music and and i knew we had to get this sound on dirtybird no matter what. needles to say “yo vogue” is hot property and i’m really excited to release it on dirtybird. the half time drop, the chopped and screwed vocal, the stuttering bass kicks, the creepy moog on top - it’s simple and complex at the same time and it wrecks shop whenever it gets played. i did a remix on the b side giving it some db flavor and dirtybird newcomer leroy peppers lays out his own bay area skeeze with hot sauce on top. watch yer bass bins! best, vonstroke.

subversion: subversion was made by the dna strands of artist nick modern, featuring the vocals of inja, in a well kept secret scientific lab. this track has a pure venom snare that when it strikes leaves you powerless in its wake , face melting beats and a vocal that will make you spin and make you dizzy. snakecharmer: snake charmer, after walking in the desert for days , you begin to lose reality as the synth starts to build, it takes over your mind and starts mesmerizing you as you go on a journey into the space invader bass that keeps building and building until it blows you away. support by: dj nihal, kc, raskwane, cookie monsta, sunchase, radio1, rinse fm, get darker, demon, displaced paranormals, plastician, j da flex, hatcha, alley cat, sls

first release in 2012 comes from montreal/canada based producers maher daniel & michael grapiocco. maher already released his music on labels like souvenir and get physical and is resident at stereo club which was voted nr.14 in worlds best clubs 2010. he teams up with michael for this wonderful 3 tracker

b-tracks debut at the end of last year was a runaway smash, gone in a flash. the come back ep is another deadly round of deep, real dance music from the two new yorkers, schooled in vintage gotham and detroit house and techno, freshly to the manor born — driving, dub-wise, bare-bones, soulful, and melodic, by turns. once again, dont sleep on it.

the dirty dutch! anticlub a notorious collective from eindhoven, the southern capital of holland, was inspired to push itself into a new direction. the inspiration came from a painting by an old lady that drew the attention and gave the impulse to create the album freaks and followers. as the title suggests there are two kinds of people, people who take risks and people who do not. as anticlub used to be a risk-taker but slowly settled in an unwanted comfort zone, this created dissatisfaction and led to a creative standstill. seeing the painting everything became clear again. one should not stand still but keep moving and evolve oneself into new areas that one has not yet explored creatively. as lessismore is from the same dutch city, this state of mind also hit the lessismore label, which inevitable resulted in both parties joining forces to release this diverse album by a former underground techno crew called anticlub. as the lessismore label is known for its typically styled techno, lessismore was searching for a new impulse sound wise and visually, to ensure creative satisfaction in the years to come. with this album everything came together and the lessismore crew reunited to renew their input into the label, which was once founded to be a creative platform and an artistic journey and in retrospective clearly not a platform where one should repeat itself time after time. freaks and followers is an 8 track album with raw electronic based music combined with a variety of vocal work by different new anticlub members. the overall feel of the album is a dark punky attitude that reminds of the good old days of rave, which in the early nineties dominated the dutch club and party scene. this period can be defined as being careless and not taking credibility into account, trying new things, being blunt and just partying your hart out. being older this is a feeling that will never have to die, proved by the old lady whose painting was used as the art-work of the album release.

spank rock feat. big freedia - nasty remixes taken from the album:everything is boring & everyone is a f—ing liar (produced by boys noize) on the peak of the succesful wave of spank rocks sophomore effort, everything is boring and everyone is a fucking liar, boysnoize records proudly presents spank rocks latest single called nasty featuring the undisputed queen diva of bounce music - big freedia and hooked up by the lady herself tyette. nasty is the pure extraction of an eccentric and intimate bounce track twisted, filthy, party- and sexdriven, its bound to make even the grumpiest person dance like there is no tomorrow. this pearl of goodness comes in 2 different mixes by bnrs youngest discovery scntst, who turned the original track into a dark techno/dubstep hybrid giving you goose bumps. both, are clearly one of the best mixes done by scntst so far. also alex ridha was more than impressed and picked scntst voal-remix of his favorite rapper, just edited it and made this nasty tune even more effective!addison groove, also known as headhunter, of 50 weapons fame has graced us with two reworks of nasty. both expose his passion for experimental broken up sounds. he keeps it real by emphasizing the deep and heavy bass in the track. sebastian’s dtf dadt remix is a dirty dubstep gem, which we can already see fitting right in in underground clubs and big international venues. what a bonus!

its fair to say that sammy gossens aka sierra sam is one of the rare and victorious butterflies of the electronic world. over the last 15 years not only has sierra sam released his own works on esteemed imprints such as supplement facts, time has changed, einmaleins musik and many more, but his impeccable engineering skills are in demand worldwide, co-producing with artists such as bloody mary for dame music and surburban knight for ur and peacefrog. not enough to suffice his creative torrent, sierra sam runs the highly successful toys for boys imprint alongside marcus vector and was label manager for jay haze’s tuning spork and contexterrior labels.

devotion, kap bambinos fourth album,is based on a few simple rules: each song is recorded as though played for the first time, and there was no second take each live show is played as if it was the final one each task is executed with a sense of urgency each decision is made with excess all the indicators are in the red. to understand the duo you need to let go of moderation. try to capture them:its too late, theyre already far away.like a permanent crash in the sound barrier. eternal youth with almost ten years behind them.

exceptional debut album!!early support by groove magazine, resident advisor, oliver hafenbauer, gerd janson, lawrence more to come.. sometimes things in life never occur as planned. so it happend to edward aka. gilles aiken, when the berlinbased artist was looking for a new apartment. somehow he found himself moving to a very small fairy tale-like village called teupitz in brandenburg, germany. it was there were edward rediccovered his deep love for nature and silence. with long extensive walks along the teupitzer lake he got to the bottom of his true love for house music. within the silence he could still hear a distant pulse of basslines ringing. and after release for giegling, blooming soul and white it was time to make the next step. with all the nature surrounding him, he finally felt able to get all the music out. music which ended up as his debut album, simply called teupitz

2011 was a breakthrough year for smoove & turrell. the geordie duo had two singles playlisted by radio 2 in the uk and were also playlisted by radio stations across europe, leading to a european tour and a whole slew of festival performances for their live band. in deep is dubby disco of the highest quality co-written with band member dave wilde and with remixes courtesy of label mates kraak & smaak (whose last single >lets go back< was in mixmag & dj mags singles of the year), germanys dj friction - who delivers a superb boogie down remix and smoove who turns in a retouched version plus dub aimed strictly at the dancefloor.
support comes from seamus haji / general midi / basement freaks / shepdog / marc hype / seth troxler / aldo vanucci / heavyfeet / kickflip / mat the alien / omegaman / azaxx / soul of man / hexadecimal / stickybuds / tony nwachukwu / wesley s / all good funk alliance / danny massure / pj & smiley / demi (sexonwax)

welcome reissue for this super-rare space funk album from 1983, one of the holy grails of the cosmic scene. extremely expensive and hard-to-find in the original, this lp was created by legendary french producers jean-pierre massiera and bernard torelli (listed here as areisam and bernie) and released on french label savoir faire. it is a superb example of the duos innovative electronic disco madness, always pushing boundaries while remaining supremely funky. stand-out tracks are the italo classic >challenger< - heady synths, tough bass and astronaut vocals combine in a strange space odyssey, >cruisin<, a superb electro-boogie style cut with a hypnotic driving bassline, and the fantastic >on the border<, a tight funky percussive workout whipped by wild space-rock guitars. but as you would expect from the massiera/torelli trademark, all tracks are great and the lp a worthy addition to any self-respecting italo / cosmic collection.

the sense of palace brothers being a band was dispelled by oldhams second album >days in the wake<. initially released eponymously, >days in the wake< is, apart from the addition of some backing vocals on come a little dog, a solo album.

the debut palace brothers album was released in 1993 when much american music was going through a particularly bombastic period. in contrast >there is no one what will take care of you< sounded like a field recording, as though a tape of back porch confessionals recorded by alan lomax as an example of high southern gothic style, had been newly discovered and released.

nice price deal !!! following the success of their debut >worldwide takeover< ep and >send me< single on jus like music in 2011, paper tiger join forces with mind on fire records for their first full vinyl release. the illuminated ep features three superb paper tiger productions – delight dub, illuminated and modern dynamics, and is topped off with remixes by wisent from lucky me, who returned the favour with a paper tiger remix on his forthcoming ep, and upcoming uk producer blacksmif who was recently soundclouds artist of the day, and has his debut solo ep >and the sun rose out< dropping in march on synchronicity records. with a limited run of only 300 copies, featuring full artwork by onefiveeight artist james hayes, the record drops on 27th february, before the band take to the road in preparation for a summer of festivals.

nerd alert! creme thought theyd start the new year on an upbeat note with this brand new moody acidic minimal wave (with distant detroit techno echos) ep by jagdstaffel 66 (rude 66) based around the controversial lockheed f-104 starfighter jet. this shit will have you use the jump seat in no time. limited edition ep pressed on clear vinyl with poster insert/f-104 construction kit.

the mysterious arctic producer known only as ukkonen, returns to vinyl with a brand new five track ep as a warm-up for his forthcoming double album on uncharted audio.
following last years >erriapo< 12 inch, which was charted by the likes of agoria and left critics comparing his unique non-linear grooves to the likes of gas, the sight below, mark e, aphex twin, brian eno, carl craig, mika vainio and isolee, here are five more masterpieces from his repertoire.

played and supported by luke slater,and, cedrik, marcel dettmann,inigo kennedy, norman nodge, dadub,conrad van orton, audio injection and more.timber-seeking and testing are the key for ang,a label engaged in a large range of electronic music.this label wants to transmit the direct action of sound on the soul.composition comes into contact with the soul and establishes the resonance.a label that cant be described simply by being ambient,but surely it is a label with music suspended between astraction and representation,a synthesis of external vision and internal contemplation.a long journey called ang this was the presentation of the concept when gianluca angelini began his digital label. the time is past and the love for electronic music, his background, and feedback from many great artists made sure that ang born vinyl. and here we are.the first vinyl ang is completely electronic music (as always has been)! the labels owner shows three tracks.in the a side,sound p.q.r. is a reminder to all that influenced the musical life of the artist.rhythmic breaks. hypnotic sounds like a battle game.tb - 303. classic vocal samples of the first series simon harris.edge of kaos is as confusing as the title describes it.fast rhythmic breaks alternate with moments of reflection, then again kaos,frenetic and abstract rhythm.the nonsense that so influenced generations of electronic music lovers.the b side is luke sinewalker.a journey through the hypnotic parts of a pure electro!this is just the beginning.we confirm for the new vinyl label a long journey called ang.

jean wells story is not an extraordinary one in the world of soul, although her voice certainly was. her biggest hit >have a little mercy< from 1967 was a glorious slice of deep soul, a plea to a lover, whom she is addicted to, but who doesn t seem to notice. her gospel-trained voice perfectly encapsulating those feelings, whilst a stark arrangement dominated by an ethereal organ and dramatic horn stabs heightens the unbearable effect this man is having on jeans life. yet at the time this record only reached number 25 in the r&b charts, just another bit of genius amongst many, thrown out by the black american music industry at one of its most creative and profligate periods.
jean left us with a fantastic recorded legacy, of which her recordings for clyde otis, which are gathered here, are the choicest cuts.

the mini album hope was another change in sound, and featured arrangements by sean o hagan, then of the high llamas. featuring six songs including a cover of leonard cohens >winter lady<, oldhams voice is set in a reflective and soft-hued sound throughout.

this is the 4th release in the now popular vinyl series personally compiled by legendary detroit producer & dj terrence parker. the a side features a brand new tp production called street skate which has elements of his classic releases from the 1990s. it was first leaked on youtube and after many requests is now available on vinyl. the b side features the return of matt veloce with his blazing hot disco cut up track called,woman from moscow.this track is so hot that many have personally inquired with matt as to the true identity of this woman.perhaps one day we will learn of the woman who inspired this track.also featured on the b side is another disco-jazz-house fusion track called running out by dj leandre of paris,france (the man who brought you soul juice and love 4 sale).all 3 tracks were remixed by terrence parker and guaranteed to become another must have for your collection!

elevation recordings was born in 2001 in a little city called galway, in the west of ireland - fathered by darran nugent aka aruba. over the last ten years the label has featured both homegrown and international talent with names like tigerskin, wareika, scope, kink, chris lattner, soul minority, gavin herlihy and snuff crew dropping by to make remixes. 2010 saw the vinyl side resurrected in the form of elevation limited and so far it has drafted in the talents of aldo cadiz, jakob seidensticker, tomika, einmusik, feygin and more. this 10 year album showcases the flavour of where the label is now with a hot selction of tracks from germanys snuff crew, aldo cadiz (chile), julian sanza (2020 vision) - who drops a dirty disco mutant monster called >elevation<, livio and roby (desolat), alejandro vivanco (cadenza), darran nugent and pavel lenchenko (mood music) and more. enjoy the party. coverart by: emiliocaccaman (ita)

simon bakers debut album traces saw the london based producer record a superb, honest reflection of his influences and took his deep house sound into a long playing format that was critically acclaimed across the board. let me in was one of two tracks that featured vocals from debukas that were highlights of the album, and it returns in original album version and with an excellent remix from lee curtiss. lee curtiss is currently riding high after great releases on spectral sound and get physical, an excellent cd compilation for watergate and as part of the visionquest collective. his version is a remix in the truest form, he treats the original with respect, but twists and turns it very much into his own track, perfectly fine tuned for club sets and soundsystems. this combined with the awesome original provides another essential simon baker and 2020vision collaboration

waiting for never was created a few months later when trei was passing through vienna and the final track, a tearing trei remix of >baby i ll play< by the thomas oliver band.

the reasons of the space probes blackout are still unknown. sharp and synchronised movements revealed mysterious devices and something started to pulse in the cloudy air, followed by upbeat sonic layers. i thought i was listening to a new, indecipherable, form of language. at the same time, without any friction, the nature of the emission changed again into a sort of weaving of sonic textures twisting all around me, fast and shifty. the only evidence of the facts i just reported is what i leave for you to listen to.

joey negro is the most well-known pseudonym of master british dj/producer/remixer dave lee. under a plethora of other monikers including jakatta, akabu, doug willis, raven maize, the sunburst band, sessomatto, and z factor, dave was one of the first artists to incorporate disco samples in house music when he began his production career in 1988. indeed, he was in the studio making credible and outstanding british house music when many luminaries around him were still busy getting to grips with their decks. in 2011 little has changed and dave is widely regarded as one of the most commercially successful and in-demand artists on the global scene

for the first release of 2012, old friends of lazy days, lawnchair generals make a rare appearance on the label with their new single >dont stop<. the duo made of peter christianson and carlos mendoza were featured separately on the feel ep last year. this song was written for their exclusive live performance at the decibel festival in seattle last year. this classic lcg tracks also comes with a superb dub for the late nights.
rob mello was an easy choice for the remix as we have been long time friends and fans of his. he took the track apart and gave us his unique no ears approach to the remix, a twisted deep afterhours biz. we hope you enjoy the release.
supported by: jimpster, karizma, motorcitysoul, fred everything, kruse & nuernberg, shur-i-kan, doc martin, marques wyatt, aaron ross, raoul belmans, mark farina, jask, iz & diz, blakkat, giom, art of tones …

the legendary gene hunt!gene hunts first release was on the infamous trax imprint and he swiftly followed it up with a string of tracks that were personified by a strong influence from detroit. deep strings mixed with intricate drum patterns were his trademark and his melodies ep for nepenta was one of the labels first hits. a chicago house music pioneer, and world class deejay, gene has collaborated with a range of critically-acclaimed artists and producers, including adam beyer, cari lekebusch, carl cox, paul johnson, farley jackmaster funk, frankie knuckles, and ron hardy. this ep with four killer tracks brings back old times! hot!

the song was produced by guy-manuel de homem-christo of daft punk and mixed by sebastian. the remix of this song, by a mysterious dustin n’guyen, is an outstanding pop song that everyone can enjoy.